heavy and awkward. Both were not feeling well. Each of them was aware that the other understood him. This consciousness is pleasant to friends, and very unpleasant to enemies.
- Did I tie your leg too tightly? - Bazarov finally asked.
No. 325. nothing, nothing, with no one – pronouns; from nowhere, nowhere, several – adverbs.
No. 326. I. 1) She was far from beautiful, but I also have my own prejudices about beauty. 2) The ignorant judge exactly this way: whatever is of no use, then everything is nothing to them. 3) You eagerly listen to the songs of antiquity, and the magical legends of knightly times - the unrealizable dreams of mocking flatterers. 4) Now the deception disappears and you begin to see that it is not the bridge that is moving, but the river. 5) Didn’t you choose glory as your destiny? 6) It rained almost every day, accompanied by lightning and such thunderclaps that the whole house shook.
7) No matter how beautiful Shiraz is, it is no better than the expanses of Ryazan.
8) It was a puppy with a white forehead who was slowly returning to his winter hut. 9) I remembered my previous misfortunes, but I will not find in my soul either ambition, pity, tears, or fiery passions.
10) I didn’t see my beauty anywhere, nor that man.
II. 1) Seeing that the bad weather was becoming protracted, I decided to move on, despite the bad weather. 2) No matter how hard I strained my vision, I could not see it. 3) In heavy formation, the wheat listens to the ringing of silence. Neither wind, nor hail, nor birds are afraid of the ears of corn.
4) There was not a single cloud in the sky, but there was an excess of moisture in the air. 5) When there are a lot of midges, you cannot remove the net from your face for a minute. 6) Everywhere you look, there are hills everywhere and everywhere the same
fulness. We didn’t see a single animal all day, although StudyPort came across a lot of goat and deer tracks. 7) As if. No matter how small the rain, it will always soak you down to the last thread. 8) Dersu is not at all
has changed and has not aged. 9) The shore is too far: no swimmer could reach it. 10) Pechorin was not the only one who admired the pretty princess. 11) More than once I have seen these deer sludge in the mountains. 12) All these days I have never deviated from my system.
No. 327. 1) Oh, Volga, dear Volga, who doesn’t love your shores! 2) Everywhere you look, there are young faces everywhere ( Narrative,
non-exclamatory, complex: 1. One-part, generalized-personal, common, complete, uncomplicated; 2. Single-part, nominative, common, complete, uncomplicated. (where...), .) 3) What subjects and what courses did he not attend! (Exclamation, simple, two-part, common, half-
new, uncomplicated. !) 4) Be that as it may, my premonitions
turned out to be fair. 5) No matter how hard his friends tried to get him to know what was the matter, they never found out. 6) Where did the road lead next? but it was not known.(Narrative, non-exclamative, complex: 1. Two-part, common, complete, uncomplicated; 2. Monocomponent, impersonal, widespread, complete, non-essential
false (where...), .) 7) And what didn’t happen to our wanderers! 8) The boatswains could not help but be friends with me. 9) You sleep until they wake you up. 10) He was considered perhaps the first cavalryman. 11) You almost told me about this yourself. 12) How no matter how hard my father tried to seem calm, I noticed his excitement (Narrative
vative, non-exclamative, complex: 1. Two-part, common, complete, uncomplicated; 2. Two-part, common, complete, uncomplicated. (how...), .) 13) Wherever I wandered, there were no [deer] anywhere. 14) Our brother, the hunter, wherever he goes! 15) Zina and Alexey wandered through the forest for a long time until they came to a large neglected pond. 16) It was impossible not to feel the harsh splendor of northern nature. 17) Everywhere, wherever he didn’t arrive, they were already waiting for him (Narrator-
noe, non-exclamative, complex: 1. Main, one-part, indefinitely personal, common, complete, uncomplicated; 2. Subordinate clause, two-part, non-extended, complete, uncomplicated. [(where...)].) 18) Climbers climbed to a mountain peak where no man has ever gone before (Narrative
corpus, non-exclamative, complex: 1. Two-part, StudyPort common, complete, uncomplicated; 2. Two-part. , ru common, complete, uncomplicated ). , (Where…). 19) Where is such a cre-
Wait, where would the bullets not fly? 20) I couldn’t help but smile several times while reading the good old man’s letter. 21) Anyone who has not been to the lower reaches of the Lefou River cannot imagine what is happening there.
No. 328. When and at what time he entered the department and who identified him, this no one could remember. ((when...) and (who...), .) No matter how many directors and various bosses changed, everyone saw him in the same place, in the same position, in the same position, as the same official for writing... The department showed him no respect. The guards not only did not get up from their seats when he passed, but did not even look at him, as if a simple fly had flown through the reception area. ([ (when...), but
even], (as if...).) The bosses treated him somehow coldly and despotically. Some assistant to the clerk would directly shove papers under his nose, without even saying: “Copy this,” or: “Here’s an interesting, nice little piece of business,” or something pleasant, as is used in well-bred services. And he took it, looking only at the paper, without looking at who gave it to him and whether he had the right to do so. He took it and immediately set about writing it. The young officials laughed and made jokes at him, as much as their clerical wit was enough... But Akaki Akakievich did not answer a single word to this, as if no one was in front of him; it didn’t even have an impact on his studies: among all these worries, he didn’t make a single mistake in writing. Only if the joke was too unbearable, when they pushed him by the arm, preventing him from going about his business, he said: “Leave me alone, why are you offending me?”
1. The peculiarity and attractiveness of Turgenev's novel.
2. Reflection of reality in the novel.
3. The sincerity and effectiveness of the novel.
I. Turgenev’s new novel gives us everything that we are accustomed to enjoying in his works. The artistic finishing is immaculately good; characters and situations, scenes and pictures are drawn so clearly and at the same time so softly that the most desperate
When reading the novel, a denier of art will feel some kind of incomprehensible pleasure, which cannot be explained either by the events narrated or by the amazing fidelity to the basic principles.
no idea. The fact is that the events are not at all entertaining, and the idea is not at all strikingly true. The novel has neither a beginning, nor a denouement, nor a strictly thought-out plan; there are types and characters, there are scenes and pictures, and most importantly, the author’s personal, deeply felt attitude towards the deduced phenomena of life shines through the fabric of the story. And these phenomena are very close to us, so close that all of our young generation with their aspirations and ideas can recognize themselves
V characters of this novel.
II. By this I do not mean that in Turgenev’s novel the ideas and aspirations of the younger generation are reflected in the way that the younger generation itself understands them; to these ideas and aspirations Turgenev refers from their personal point of view, and the old man and the young man almost never agree with each other in beliefs and sympathies.
(, (to...), (how...); , a.) But if you go to a mirror, which, reflecting objects, changes their color a little, then you will recognize your physiognomy, despite the errors of the mirror. Reading Turgenev’s novel, we see in it the types of the present moment and at the same time we are aware of the changes that the phenomena of reality experienced as they passed through the artist’s consciousness.
Turgenev's novel, in addition to its artistic beauty, is also remarkable in that it stirs the mind, provokes thought, although in itself it does not resolve any issue and even illuminates with a bright light not so much the phenomena being deduced as the author's attitude towards these very phenomena. It makes you think precisely because it is completely imbued with the most complete, most touching sincerity. Everything that is written in Turgenev’s last novel is felt to the last line.
No. 330. Presidium, privilege of a deputy, Russian intelligentsia, fiction, sentimentalism, romanticism, realism, optimism, innate pessimism, apotheosis play, dithyramb of literature, future perspective, priority, statue, autobiography, examiner, electrify in the shortest possible time, unshakable postulate .
No. 331. I. A true lover of northern nature will forever retain indelible impressions of the dense Chuna River. True, he won’t see any eye-catching colors here, but he will long remember the tones of the autumn landscape, elusive to an inexperienced eye. What kind of pictures can you see here! The shores of Chuna amaze with the diversity of vegetation and the richness of the animal world.
More than once you will come across fallen trees on the way: this is slave-
StudyPort was none other than the beaver - a strange animal, a recent one. settler of these places. You will often see a handsome elk here, before your very eyes
amazed traveler crossing the river. Having crawled out onto the shore and brushed itself off, the unafraid animal calmly looks at you. A person who finds himself in these lands is truly happy: forgetting about the gun abandoned in the boat, he never tires of admiring the world revealed to him.
II. The undisturbed silence and untouched nature attracted me to Chuna, and the days spent there clearly appear in my memory. I remember our small house, spending the night by the fire, the tops of the trees reflected in the water and the whisper-like rustling of their tops. The fire crackles in the hearth made of stones, and nothing is as pleasant as ukha, slightly smelling of smoke.
No. 332. I. 1) High above the family of mountains, Kazbek, your royal sha-
ter shines eternal rays! (Declarative, exclamatory, simple, two-part, complete, common, uncomplicated
noe). 2) The colorful flags of ships flutter briskly over the Neva. 3) Chu, the guns burst out! 4) Sing, coachman! I will silently, eagerly listen to your voice. 5) The world is empty. ( Narrative, non-exclamative, simple, two-part, uncomplicated, uncomplicated). Now where would you take me, ocean? ( Interrogative, non-exclamative, simple, two-part, complete, common, uncomplicated
noe). 6) Closer, oh dear friends, let us form our faithful circle! ( Impellative, exclamatory, simple, two-part, incomplete, common, uncomplicated). 7) How Tatyana has changed! (Narrative, exclamatory, simple, two-part, incomplete, common, uncomplicated). How firmly she stepped into her role! ( Declarative, exclamatory, simple, two-part, incomplete, common, uncomplicated). 8) Here is the disgraced house where I lived with my poor nanny. 9) Hello, young, unfamiliar tribe! 10) My friend, let’s dedicate our souls to our homeland with wonderful impulses! 11) So, quietly send your grandson with this note to O... to that... to the neighbor... and tell him not to say a word, not to call me...
II. 1) Lermontov’s poem is a courageous, mature creation.
2) What a true picture! What precision in expression! 3) “Cossack Lullaby Song” is no less excellent. 4) Where, where did the poet get these simple-minded words, this touching tenderness of tone, these meek and sincere sounds, this femininity and charm of expression? 5) Oh, how deeply instructive this story is, how much it shakes the soul!
No. 333. 1) Rozanov and Rainer met warmly, in a friendly way.
2) Fenechka came in with Mitya in her arms. 3) Two soldiers are on patrol StudyPort over cold water. 4) At the tablethere were eight people sitting. . ru 5) Several fishing longboats got lost in the sea. 6) Several mat-
Rosov, under the command of the captain's mate, once went out to sea on this boat. 7) Red Square was already lined up in squares several regiments infantry. 8) Suddenly under your feet many lights flashed and blinded Lisa. 9) The wounded were carried from the barge Some moaned, But the majority was silent. 10) Most of the passengers were dozing. 11) Several ladies walked quickly back and forth across the site... 12) Humanity is coming forward and produces everything, creates.
No. 334. 1) In the village, many dogs greeted us with loud barking. 2) Bazarov and Arkady left the next day. 3) Fenechka was sitting in the gazebo with Dunyasha and Mitya in her arms. 4) Several boats were lying on the shore. 5) A very diverse audience traveled with us. 6) Most of the expedition members have already been on difficult journeys several times. 7) The crowd resembled the dark swell of the ocean.
8) Most people wanted to do something. 9) A number of circumstances prevented the implementation of the project. 10) About two dozen people rose from there. 11) An abyss of people came running... 12) And many other similar thoughts passed through my mind... 13) There were several sleighs behind the fence... 14) Students from all countries arrived at the World Youth Festival.
No. 335. 1) The railing suddenly broke. 2) Severe cold came, and the ice hole on the river froze. 3) The rail has bent. 4) The jam has become candied. 5) The jelly has spoiled. 6) RTS has completed preparations for spring sowing. 7) The ink is dry.
No. 336. 1) Azamat was a stubborn boy (the name is characterized by a permanent sign). 2) Dubrovsky himself was a guards officer (tv. pad. with the verb to be in the past tense), he will not allow his comrade to be offended. 3) And here she [the muse] is in my garden appeared as a young lady(tv. pad. with the verb appear) district. 4) Purchase of Chichikov became an object(tv. pad. with the verb become) conversations. 5) Lizaveta Ivanovna was a very unhappy creature (the name falls is characterized by a constant sign). 6) She [Lisa] was the only one and, therefore, a spoiled child (the name falls is characterized by a constant attribute). 7) He [Alexey] appeared before them gloomy and disappointed(tv. pad. with the verb appear). 8) Lisa admitted that her action seemed frivolous to her (tv. pad. with the verb seem). 9) The lighthouse keeper was an old boatswain (the name of the paddock characterizes a permanent feature) of the Maidanov sailing fleet. 10) At that time I was a student (tv. pad. with the verb to be in the past tense) at a provincial university. 11) Varenka’s father was
a very handsome, stately, tall and fresh old man (the name falls. character- StudyPort terizes a constant sign). 12) The old man died when. Matveyru yet
was a child (tv. pad. with the verb to be in the past tense)
No. 337. 1) Boris was a tall, blond young man with truthful, delicate features of a calm and handsome face. Nikolai was a short, curly-haired young man with an open expression on his face
(tv. fall. with the verb to be in the past tense). 2) Wherever fate has taken me! I was successively an officer, a land surveyor, a watermelon loader, a brick carrier, and a salesman in Moscow (tv. pad. with the verb to be in the past tense).
No. 338. 1) Water is nothing more than the simplest compound of hydrogen and oxygen. 2) An earthquake is nothing more than the result of sudden changes and ruptures in the earth's crust. 3) The atmosphere is nothing more than the gaseous shell of the Earth. 4) My neighbor in the compartment turned out to be none other than a drama theater artist. 5) A stone found on the sea coast
was nothing more than a piece of meteorite. 6) A canyon is nothing more than a deep gorge with steep edges.
No. 339. I. 1) Grushnitsky - cadet. 2) Producing an effect is their pleasure. 3) His goal is become a hero novel. 4) His arrival in the Caucasus is also a consequence of his romantic fanaticism. 5) Solotcha is a winding shallow river. 6) The path in the forests is kilometers of silence and calm. 7) The conning tower is the brain of the ship.
8) My occupation is ethnography, the study of the life of Russian people.
9) The heart is not a stone.
II. 1) The word is the clothing of all facts, all thoughts. 2) The language of literature is an important tool of production for a writer. 3) “Onegin” is Pushkin’s most sincere work, the most beloved child of his imagination... 4) To evaluate such a work means to evaluate the poet himself in the entire scope of his creative activity. 5) The plausibility of situations and the truth of dialogue are the real laws of tragedy. 6) Precision and brevity- these are the first advantages of prose.
7) Criticism of science - discover the beauties and shortcomings in works of art and literature. 7) The first purpose of art is playback reality.
No. 340. 1) He did not realize the importance of the assignment entrusted to him and did not complete the task on time. 2) The meeting did not make a definite decision on the last item on the agenda. 3) On Sunday I won’t be able to fulfill my promise and won’t go to the museum.
4) The workshop does not accept new orders for equipment. 5) The young athlete did not live up to the expectations placed on him. 6) Without understanding the conditions, the boy did not solve the problem.
No. 341. 1) The swimmer was dissatisfied with his result. The swimmer was StudyPort disappointed in his result. 2) There was a teacher. awarded the order. She was awarded a high government award.
3) The old worker shared his memories. He talked about the construction of the workshop. 4) An experienced mason taught students all the details of labor organization. He talked about making full use of working time.
following the causes of the accident (vin. pad.) - begin to investigate the causes of the accident (dat. pad.). Warn against danger (gen. fall.) - warn about danger (prev. fall.). Value health (tv. pad.) - value health (vin. pad.).
No. 343. 1) In the poem “Who Lives Well in Rus',” Nekrasov writes in detail about the situation of the post-reform peasantry. Nekrasov describes with deep sympathy the difficult fate of a peasant woman. 2) Arina Petrovna reproached her orphan nieces with every piece of bread. She reproached Pavel Vladimirovich for lack of respect. 3) During the conversation, the interlocutors touched on a wide variety of issues. They talked about a wide variety of matters. 4) The mother was worried about the fate of her son. She was worried about his health. 5) The implementation of the project was limited by the lack of necessary funds. Every scientific conclusion must be based on strictly verified facts.
No. 344. 1) The teacher paid a lot of attention to working with lagging students. 2) The terrible heat prevented the normal work of the geological expedition. 3) The girl handled books very carefully. 4) The jar was full of water. 5) Vanya spoke about his impressions of the trip to Moscow.
No. 345. 1) Three enemy horses were immediately taken as spoils to the winner. 2) Two large, white, shaggy dogs rushed at me with an angry bark. 3) The month had not yet risen, and only two stars, like two saving beacons, sparkled on the dark blue arch. 4) There are two old pine trees in that clearing. 5) Two large, dull, oil portraits hung on the wall. 6) Close to our estate
two glass factories were established. 7) For the first two months, the StudyPort expedition worked in difficult meteorological conditions. 8) ru Two fires
The hidden pillars cut through the darkness of the night.
No. 346. 1) We were told to write three non-union sentences. 2) At the edge of the forest there were two lonely birch trees. 3) Four gray houses rose gloomily on the hill. 4) I lost three library books
gi. 5) Two fighting competitions were held that day. 6) Four blue boats were lying on the sand. 7) Three luxury cars stopped noiselessly at the porch.
No. 347. 1) He was in Altai on a business trip. 2) He dropped out of the technical school due to illness. 3) He rested in a sanatorium for about a month. 4) My sister brought a small palm tree from the Caucasus. 5) Severe cold weather is reported from Siberia. 6) They returned from the Urals full of impressions.
No. 348. 1) Study at the university, at the biology department, at the institute, at courses, at school. 2) Visit Altai, the Urals,
Transbaikalia, in the Far East. 3) Return from Altai, from the Urals, from Donbass, from the Azov region, from the Far East. 4) Work in a plant, factory, collective farm. 5) Go to the ministry, post office, police station, telegraph office, station. 6) Go to a concert, a movie, a play. 7) Go to the workshop, plant, factory, institute. 8) Build a building on a square, on a street, in an alley.
No. 349. One-part sentences: 1) I eat endlessly (definitely personal). Everything was flooded, bridges were blown away (impersonal). 2) We start driving along the lakes (definitely personal). 3) The bare, gloomy bank of the Irtysh is visible (impersonal). 4) Muddy water (nominative). 5) It gets dark (impersonal). 6) Here comes the ferry (nominative demonstrative). We must cross to the other side (impersonal). 7) It’s cold to drive (impersonal). My feet feel cold (impersonal). I wrap them in a leather coat (definitely personal). Doesn't help (impersonal). 8) By dawn you are terribly tired from the cold (generalized-personal). While they are changing horses (vaguely personal). You'll snuggle up somewhere in a corner (generalized-personal).
Incomplete: 1) I’m wearing a sheepskin coat.
No. 350. 1) There are flowers in the garden, further on you can see alleys of lindens and acacias and an old elm to the left of apple, cherry, and pear trees. 2) Vera ran from the kindergarten onto the balcony, followed by Sergei, who was jumping three steps, and Nikita walked behind her. 3) On one side is the Volga with its steep banks and the Trans-Volga region; on the other - wide fields, cultivated and empty... On the third side, villages, hamlets and part of the city are visible. 4) Hunters with dogs rode behind the line, for the hunters - coachman Ignat. 5) I'm alone. Near the sea for hundreds of miles. 6) In one such word-
in one you can collect words related to nature, in another StudyPort - good and apt words, in a third - words of people. differentru pro-
No. 351. 1) Searches began in the settlement; soon the searchers reached the Vlasovs’ house, but found nothing. 2) Grandfather became increasingly poor, and he had to go “to the people.”
No. 352. Olga is a simple, spontaneous creature, who never reasoned about anything, never asked about anything, to whom everything was clear and understandable out of habit, and to whom everything depended on habit. She cried a lot about Lensky's death, but soon she was consoled, married a lancer and from a graceful and sweet girl she became a lady of the dozen, repeating her mother, with minor changes that time required. But it’s not at all so easy to determine Tatyana’s character. Tatyana's nature is a little complex, but deep and strong. Tatyana does not have these painful contradictions that plague too complex natures; Tatyana was created as if all from one solid piece, without any additions or appendages.
this. Her whole life is imbued with that integrity, that unity, which in the world of art constitutes the highest dignity of a work of art.
So, summer nights were devoted to daydreaming, winter nights to reading novels, and this in the midst of a world that had the prudent habit of snoring loudly at that time. What is the contradiction between Tatyana and the world around her? Tatyana is a rare, beautiful flower that accidentally grew in a crevice of a wild rock,
Unknown in the deaf grass Neither moths nor bees.
These two verses, spoken by Pushkin about Olga, apply much more to Tatyana. What moths, what bees could know this flower or be captivated by it? Are there ugly horseflies, gadflies and beetles like Messrs. Pykhtin, Buyanov, Petushkov and the like?
We repeat: Tatyana is an exceptional being, a deep, loving, passionate nature.
No. 353. 1) Autumn warned of its arrival either with a dry leaf, accidentally forgotten on a bench, or with a small green caterpillar descending on a web right on my head. 2) In the evening the wind howled in the chimneys, hummed among the trees, and disturbed the forest with a threatening whistle. [- , , ]. 3) Waves of coolness, the damp breath of young grass, and the sound of recently blossoming leaves poured into the streets from the centuries-old gardens. 4) The big city attracted with its power, vitality, the bustle of continuous human flows, the roar of trams and the scream of car sirens. [─ =
No. 354. I. 1) Raisky glanced at the Volga and forgot everything... 2) Both the tree and the beautiful facade of the house were reflected in the flood lake.ru 3) I see neither the blue sky nor the blue sea. Noise, cold and salty
splashes are my area for now! 4) I fall asleep, then wake up, open my eyes. 5) Once upon a time there were a great number of both white and blue foxes on the island. 6) Frost lay for a long time on the slopes of the roofs, and at the well, and on the balcony railings, and on the foliage. 7) The cheeks are rosy, and full, and dark. 8) She [the monkey] was tied with a thin chain to one of the benches on the deck, and rushed about and squeaked pitifully, like a bird. 9) I will now go to the Far East, or to the north. 10) The snowstorm twists, throws snow, and whistles, and bursts into a terrible howl. 11) Her [Vari] gray eyes were red, either from insomnia or from tears. 12) Now he was working on growing fast-growing trees from our domestic species of willow, pine, and spruce. 13) Now neither mountains, nor sky, nor earth were visible. 14) In its [taiga] boundless wilds, harsh northerners: larch and dove - lived in close proximity to gentle children
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Not written |
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seamlessly |
apart |
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1. With all the words that are not used without: fury, necessary, impossible, hating, indignant, invincible, unbearable, incessant (not part of the root or is a prefix). |
1. With verbs in the indefinite form and in the form of any mood, gerunds and short participles: do not read, would not go, is missing, not seeing, not painted, as well as with numerals, prepositions (except despite, despite), conjunctions, particles and some adverbs (except for adverbs starting with -o): not alone, not within my power, not that... not that, not only, almost, not today, not in our opinion, almost, hardly not . not always. |
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2. With nouns, adjectives and adverbs starting with -o, when c does not form a new word (it can often be replaced with a word close in meaning, but without not): untruth (lie), not bad (good), not far (close). |
2. With nouns, adjectives, adverbs ending in -o with existing (or implied) opposition: He spoke not the truth, but a lie. He did not do a good thing, but a bad thing. It's not far from school to home, but close. |
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3. With indefinite pronouns, as well as negative ones without a preposition: a few rubles, something interesting, nothing to do, no one to send. |
3. With pronouns, including negative ones, if the latter have prepositions: a) not you, not he, not everyone, not that; b) no one to ask, nothing to work on. |
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4. With full participles without dependent words: There was an unread book on the table. |
4. With full participles in the presence of opposition or dependent words: On the table lay a book that was not read, but only looked at. There was a book on the table that I had not read. |
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5. With adjectives, participles and adverbs ending in -y if they include the words absolutely, completely, very, all ma, extremely, extremely, etc., enhancing the degree of quality: an overall ill-considered (reckless) decision, an extremely uninteresting (boring) book , to act extremely carelessly (rashly). |
5. With adjectives, participles, adverbs ending in -o, if the negation is strengthened by negative pronouns far from, not at all, not at all: an unjustified act, not at all an interesting book, not an easy task, not at all fun. |
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6. With negative adverbs: nowhere, nowhere, no time, nowhere, no need. |
6. With short adjectives that are not used in full form or for which it has a different meaning: not glad, should not, not ready, not much; with adverbs that are used only as a predicate in impersonal sentences: it’s not necessary, it’s not a pity, it’s not time. |
1. With short adjectives that have the same meaning as full ones, spelling Not follows the same rules as writing Not with full adjectives: The drop is small (small), but the stone destroys. The cap was not big, but small.
Very often writing Not with short adjectives depends on the meaning: 1) He is stupid (that is, almost stupid), but: He is not smart (that is, it cannot be said that he is stupid, but he is not very smart either). 2) He is not rich (i.e. almost poor), but: He is not rich (he does not have wealth, but is not poor either, i.e. a person of average income).
2. Some verbs and nouns have a prefix under-, indicating that the action was performed below the norm: undereating (eating less than required), underperforming (performing less than 100%), etc.
3. If adjectives and adverbs are -O bound by an adversarial alliance But, then the particle Not usually written together; in this case, there is no direct opposition of signs and they are attributed to an object or action simultaneously, for example: 1) Father bought an inexpensive but beautiful suit (i.e., both inexpensive (cheap) and a beautiful suit). 2) The student read the poem quietly, but expressively (that is, both quietly (quietly) and expressively). Wed: Father bought not an expensive, but a cheap suit (one sign excludes the other, the opposite). The student read the poem not loudly, but quietly.
363. Read, explain the combined or separate spelling not with words of different parts of speech.
1) The days of summer were turning to autumn. A stormy wind blew. (P.) 2) The sun - not fiery, not hot, as during a sultry drought, not dull purple, as before a storm, but bright and welcomingly radiant - peacefully emerges from under a narrow and long cloud... (T. ) 3) A small pot hung over one of the fires: “potatoes” were boiled in it. (T.) 4) I involuntarily admired Pavlusha. (T.) 5) Unfortunately, I must add that in the same year Paul passed away. (T.) 6) He [the clerk] hated me stubbornly and more and more acutely. (M.G.) 7) And how did you overlook it? And how did you not hear? (Gr.) 8) Then Vasilisa Egorovna appeared on the rampart, with Masha with her, who did not want to leave her. (P.) 9) Further, crossing the road, stretched the yellow, unblinking lights of the village. (F.) 10) Having finished our work, we went to bed right there, by the fire, and I, despite the unbearable mosquitoes, soon fell asleep in the deepest sleep. (Przh.) 11) The son kissed his mother and, despite her, without turning around, left the room. 12) We wander along those paths where the grass is not cut. (Isak.) 13) The descriptions of him [Rudin] lacked color. (T.) 14) This pole does not reach the bottom of the well. 15) Indestructible ice floes, shining blue, pass by. (CM.)
364. Write it off. Explain (orally) combined or separate spelling Not.
I. 1) She was far from beautiful. (L.) 2) Dasha said firmly: “It seems to me that we (have) nothing to talk about.” (A.N.T.) 3) Pursing his lips, Ivan Ilyich nodded. He (could not) breathe. (A.N.T.) 4) To the right, a yellow, (not) blinking star stood (not) high above the wooded hills. (A.N.T.) 5) Without a shadow of timidity, he entered the boss’s office with a (leisurely) gait. (New.-Pr.) 6) (Not) hearing the answer, Pechorin took (a few) steps towards the door. (L.) 7) Only Grigory Alexandrovich, (despite) the rain and fatigue, (did not) want to return. (L.) 8) Oblomov is a (not) stupid, apathetic nature, without aspirations and feelings, and a person who is also looking for something in his life, thinking about something. (Good) 9) With Philotheus came two of his brothers, not at all like him. (T.) 10) Bolshov is not a strong person at all. (Good) 11) Pavel Petrovich is a very (not) stupid person. (D.P.) 12) In (extraordinary silence, dawn arises. (Paust.) 13) This is (not) real, this is a fairy-tale forest. (Prishv.) 15) The sailors had difficulty coping with mechanisms that were (un)familiar to them. (New.-Pr.) 14) We lift the net and instead of expensive salmon we pull out a guinea pig, which is completely (un)needed. (Prishv.) 15) One hundred and sixty-seven people were (not) counted from the crew of “Svetlana”. (New.-Pr.) 16) She (didn’t) listen to the end and walked away. (L.) 17) This [Morgach] is an experienced person, on his own mind, (not) evil and (not) kind, but more prudent. (T.)
II. 1) Here is the moon: it is (not) dim, (not) pale, (not) thoughtful, (not) foggy, like ours, but clean, transparent, like crystal. (Gonch.) 2) Pechorin was (un)healthy for a long time, lost weight, poor thing. (L.) 3) Anatole was (not) resourceful, (not) quick and (not) eloquent, but he had the ability of calm and (un)changeable confidence, precious for the world. (L. T.) 4) I am (not) rich, (not) official, and my age is not at all a match for him. (L.) 5) The expression of this gaze was very (in)definite, but (not) mocking. (L.) 6) She [Princess Mary] began to sing: her voice is (not) bad. (L.) 7) She [Tatyana] was (not) hasty, (not) cold, (not) talkative, without an insolent look for everyone, without pretensions to success... (P.) 8) This life (not) was (un)pleasant for Kazmin... He even liked, after the harsh monotony of the village, to find himself in (un)expected, so (un)familiar conditions. (Hare)
365. Write it off. Explain combined and separate spelling Not. Indicate possible synonyms for nouns, adjectives and adverbs with which Not written together.
1) In the morning I felt (not) well, although I still (could not) clearly determine what my (ill health) was. (Kupr.) 2) We had a (leisurely) conversation among ourselves. (Paust.) 3) The sun was (not) cloudy, like in the evening, but bright, having rested during the night. (Paust.) 4) Tears appeared in her eyes, (not) timid, (not) bitter, but proud, angry tears. (Ch.) 5) A (not) old and quite beautiful woman brought in a (not) large samovar. (Cor.) 6) The (non) stranger, when they saw him, turned out to be a man of about thirty, (not) handsome and nothing (not) remarkable. (Ch.) 7) His face was the same as always - (not) smart and (not) stupid. (Ch.) 8) The (not) bright light was burning outside the window. (Paust.) 9) A never before (un)characteristic irritability appeared in his [Davydov’s] character. (Shol.) 10) Every, even the slightest, rudeness, (in)delicately spoken word worries me. (Ch.) 11) The nightingale was already (not) in the evening, abruptly and (not) decisively, but (in) the night, (not) hastily, calmly pouring out over the whole garden. (L. T.) 12) The young gymnasts performed the mandatory exercises far (not) flawlessly. (Gas.) 13) Rainy days are very (un)pleasant for me. (M.-Mak.) 14) The hut was (worthless) nowhere. (A.N.T.) 15) Our choir was (not) large, but wonderful. (F. Sh.) 16) Davydov walked (not) hastily, but with wide steps. (Shol.) 17) Each bell spoke (in) its own way: distance reduced only the strength, but the (un) clarity of the sound. (Cor.) 18) The sun burned (like) yesterday, the air was (stationary) and dull. (Ch.) 19) (To) the right and (to) the left of the gazebo stretched (un)even clayey banks. (Ch.)
366. Write it off. Explain spelling Not with participles.
1) Above, Stozhary smoldered like a (not) extinguished fire. (Shol.) 2) All the sailors, (not) busy with the watch, went out onto the upper deck. (New.-Pr.) 3) Memories are (not) yellowed letters, (not) old age, (not) dried flowers and relics, but a living, trembling world full of poetry. (Paust.) 4) Only one strip is (not) compressed. (N.) 5) Someone knocked on the (in)visible, carpeted door. (Priv.) 6) The sun was rising. Still (in)visible to the eye, it spread a transparent fan of pink rays across the sky... (M.G.) 7) Savka chose a special occupation for himself, not dependent on anyone - hunting. (M.-S.) 8) Telegin folded the (un)finished letter. (A.N.T.) 9) The mother ran out of the entryway with her head uncovered. (Shol.) 10) The sun, bright, but (not) warming, looked coldly from the height of the sky. (Stan.) 11) Pavel raised his head and looked at Sukharko with a look that (not) promised anything good. (N.O.) 12. A sharp cry escaped my still (un)strong throat. (A.G.) 13) Podkhalyuzin is a quick-witted person and not at all (not) attached to his owner. (Good) 14) For him [Ostrovsky], in the foreground is always the general situation of life, (not) dependent on any of the characters. (Good) 16) The team dispersed, (not) perplexed and amazed. (Stan.) 17) The houses have long been (not) plastered, the roofs (not) painted... The doors of the dacha were (not) locked. (Ch.)
367. Read it. What words ending in -my, are adjectives, which are participles? Copy, explaining (orally) combined or separate spelling Not.
1) Everything was full of sad and sweet, (inexplicable spring charm. (Kupr.) 2) He sang some song, (un)familiar to me... (T.) 3) My friends, our union is wonderful! He, like a soul, is (in)separable and eternal. (P.) 4) Levin, (un)noticed by the people, continued to lie on the haystack, and watch, and listen, and think. (L.T.) 5) All his actions, big and small, are (in)explainable. (V. Br.) 6) Both friends were the same age, but there was an (im)measurable difference between them in everything. (Adv.) 7) The silence, (not) disturbed by either movement or sound, is especially striking. (L.T.) 8) Prince Andrei could be thinking about another subject, completely (in)dependent from general issues - about his regiment. (L.T.) 9) Candles, (not) lit on other days, spilled bright light throughout the room. (Gonch.) 10) Raisky, (not) moving, looked, unnoticed by anyone, at this whole scene. (Gonch.) 11) The source of knowledge is (in)exhaustible. (Hound.) 12) Magpie walked at random, guided by the wind and some (imperceptible) signs for (an unusual person. (Seraph.) 13) The princess is cold; That night the frost was (un)bearable. (N.) 14) What precision and certainty in every word, as if in place and (every word is irreplaceable for others! (Bel.) 15) The depth of Chekhov’s works is (in)exhaustible for a thoughtful, sensitive actor. (Stanisl.) 16) The owner (slowly) wiped his hands. (Boon.)
368. Write it off. Explain (orally) combined and separate spelling Not.
1) Efim Andreevich’s conversation was important, (leisurely and rich in content. 2) I became more and more convinced that he was far from an ordinary artist. (Kupr.) 3) Sometimes he [Avilov] imagined himself as a famous traveler... He discovered (un)explored lands. (Kupr.) 4) Strange, (un)clear sensations worried him. (T.) 5) The whirlwind, (not) cold, but warm, hit the trees, the walls, the street. (T.) 6) The garden is especially good, (small, but dense and pleasantly intricate. (M. G.) 7) The old manor’s estate stood on a (not) high, but noticeable hill. (K.S.) 8) Raisky considered himself a (not) newest, that is, (not) young, but by no means (not) backward person. (Gonch.) 9) Behind the mounds in the east lay a yellowish haze, (not) similar to smoke or dust. (A.N.T.) 10) The owner... shouted something angrily in an (in)understandable language. (Boon.)
369. Copy by inserting missing letters, missing punctuation marks, opening parentheses. What types of speech are combined in this text? Find polyunion in the text. What role does it play in the text? Indicate other means of expressive language used by the author. Write down words with similar roots to the word light, indicating their part of speech. Sort out the highlighted words according to their composition.
Zhenya (slowly) walked along the narrow road, almost (not) leaning on a stick and (not) feeling pain in his wounded leg.
(D)all the way along both sides of the road there were (not) tall but dense bushes, and behind them grew silvery, in..grass.
The frost hit and the frozen ground crunched slightly underfoot. The air, saturated with moisture, hung in a foggy haze.
But there’s fog ahead... and as it seemed to Zhenya, he’d acquired (light pink shade. (Un)expectedly...a red ball opened in the thick of this restless air. It gradually...began to increase(?)swell in color and suddenly out of (n..)what (no)thing was born. The sun rose and illuminated (in) a new way everything around and the black forest in..the daylight (not) in the distance..and the mown..fields and even the gloomy traces of the war that passed..here. It was as if something had trembled, some kind of shock had occurred in the world. It was the light that conquered the fog.
The thick...thin air, as if (un)wanting to give in, (not) was anguished and...danced for the earth, but the sun, which had arisen so suddenly, was already (un)controllably...moving across the white world. The fields illuminated by the sun suddenly shone brightly. (According to V. Tendryakov)
The moon: it is not dim, not pale, not thoughtful, not foggy, like ours,
and is pure, transparent, like crystal, proudly shining with a white sheen at night
and not sung by poets, like ours,
which means she’s a virgin this time too.
This is not a mature, faded beauty, which is no longer so desirable,
and a vigorous virgin, full of strength, life and strict chastity, like Diana herself.
Its piercing silver moonlight poured across the sea and sky;
she pacified the daring sparkle of the stars and reigned meekly and majestically until the morning.
Do you think the ocean fell asleep in a stream of dreams?
No; it boils and sparkles more than the stars!
Under the ship, an abyss of flame opens among the sea shadows,
Streams of gold, silver and hot coals burst out with noise.
You are blinded, enveloped in sweet creative dreams...
connect your motionless gaze with the heavens:
there, now filled with gold, now with blood, now with emerald moisture, Conopus* of extraordinary beauty,
the bright light of the Argo ship;
Centauri is two huge stars.
But you lovingly calm down from the unbearable brilliance on the four stars of the Southern Cross:
they shine modestly, it seems that they are looking at you intently and intelligently - for good reason!
Oh Southern Cross!
Has it ever happened to you (how has it never happened to a poet!)
suddenly see that woman
about beauty, the grace of which has been buzzing in your ears for a long time, and you can’t find anything striking in it?
“What’s special about her?” you say, peering at the woman in surprise, “
she is simple, modest, does not stand out in any way from the world of women that surrounds us..."
But she's beautiful!
You peer for a long, long time and suddenly feel that you already love her passionately!
And about the Southern Cross, seeing it for the first, second and third time,
you ask: what's special about it?
You will stare for a long time and end up with the fact that, with the onset of evenings, more than once
your gaze will look for him first - every time,
then, having surveyed all the stars that have appeared, you will turn to him again
and you will often and for a long time give your gaze to him.
The sultry day is followed by a stuffy, sweet, long night,
with a twinkle in the sky,
with a fiery stream underfoot, with trembling bliss in the air,
with thoughts of miracles!
My God! These nights are wasted here, away from everything -
no serenades, no sighs, no nightingales singing, no whispers of love!
Only the frigate moves tensely and occasionally groans,
let the exhausted sail flap or a wave splash under the stern -
and again everything is solemn and beautiful! Amazing silence!
You look at all these miracles, worlds and lights and, destroyed by their greatness, blinded,
but rich and happy with unprecedented dreams, in love with them,
stand like a statue and whisper eloquently and thoughtfully:
“No, neither the cards, nor the British, nor the Americans, nor my teachers told me this,
loving the world of stars and the Earth as art;
spoke, but palely and vaguely, only one sensitive, poetic feeling;
it mysteriously beckoned me here as a child and whispered:
Here is young Columbus land!
To those ancient and new places,
Where other stars shine in the sky,
Where the light shines from the constellation of the Cross..."
Take, dear friend, your lyre, from which you have almost lost the habit,
your palette, your luxurious, like these heavens, language -
the language of the gods spoken among our people,
who can only talk about the local nature,
and hurry here, - and I blame myself for my powerlessness and fall silent.
My thoughts fly away to the constellations!
*Conopus (alpha Car / alpha Carinae / Alpha Carinae) is a star in the southern hemisphere, the brightest in the constellation Carina and the second brightest (after Sirius and not counting the Sun) star in the sky,
yellowish-white supergiant star. It is visible in the southern hemisphere. Canopus is 310 light years (96 parsecs, or 2.96 quadrillion kilometers) from our Solar System. The mass of Canopus is estimated at about 8-9 solar, and its radius is 65 times that of the sun. Canopus has the highest luminosity of all stars within a radius of 700 light years from the Sun.
The luminosity of Canopus is about 14 thousand solar.
By comparison, Sirius is only 22 times brighter than our Sun, but it is much closer to us than Canopus.
Canopus is visible in the Northern Hemisphere only south of 37 degrees north latitude. The city south of which Canopus is visible is Athens. Canopus can be observed in the Northern Hemisphere in Egypt, India, the southern USA, and Mexico. It is not visible from the territory of Russia, and from the territory of the former USSR Canopus is visible only in the south of Turkmenistan (in the Kushka region), low above the horizon. In the Northern Hemisphere it is visible at low latitudes in winter; in the Southern Hemisphere, Canopus does not cross the horizon south of 37 degrees south latitude and is always in the sky. Canopus is found in southern Australia and New Zealand.
Canopus was used in the northern hemisphere as the southern pole star.
Greek mythological version. The star is named after the helmsman of the king of Sparta, Menelaus. Egyptian version. The expression Kahi Nub means "golden land".
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I.A. Goncharov. Frigate Pallas. III. SWIMMING IN THE ATLANTIC TROPICS. (Excerpt.)
But here is the moon: it is not dim, not pale, not thoughtful, not foggy, like ours, but pure, transparent, like crystal, proudly shining with a white sheen and not sung, like ours, by poets, therefore virgin. This is not a mature, faded beauty, but a vigorous virgin, full of strength, life and strict chastity, like Diana herself. Its piercing light poured across the sea and sky; she pacified the daring sparkle of the stars and reigned meekly and majestically until the morning. Do you think the ocean has fallen asleep? No; it boils and sparkles more than the stars. An abyss of flame opens under the ship, streams of gold, silver and hot coals burst out with a noise. You are blinded, enveloped in sweet creative dreams... you stare fixedly at the sky: Conopus, the bright luminary of the Argo ship, and two huge stars of the Centauri are filled with gold, then blood, or emerald moisture. But you are lovingly calmed by the unbearable shine on the four stars of the Southern Cross: they shine modestly and seem to look at you so intently and intelligently. Southern Cross...Have you ever (and how has it never happened to a poet!) suddenly see a woman whose beauty and grace have been buzzing in your ears for a long time, and find nothing striking in her? “What’s special about her?” you say, peering at the woman in surprise, “she’s simple, modest, no different...” You peer for a long, long time and suddenly feel that you already love her passionately! And about the Southern Cross, seeing it for the first, second and third time, you will ask: what is special about it? You will stare for a long time and end up with the fact that, with the onset of evening, your gaze will look for him first, then, having surveyed all the stars that have appeared, you will again turn to him and will often and for a long time rest your eyes on him.
After the sultry day, a swelteringly sweet long night comes, with twinkling in the skies, with a fiery stream underfoot, with a trembling of bliss in the air. My God! These nights are wasted here: no serenades, no sighs, no whispers of love, no nightingales singing! Only the frigate moves tensely and occasionally groans, and the exhausted sail flaps or a wave splashes under the stern - and again everything is solemn and beautifully quiet!
You look at all these wonders, worlds and lights, and, blinded, destroyed by greatness, but rich and happy with unprecedented dreams, you stand like a statue and whisper thoughtfully: “No, neither the cards, nor the British, nor the Americans told me this, nor my teachers; it spoke, but palely and vaguely, only one sensitive, poetic feeling, it mysteriously attracted me here as a child and whispered:
This is Asia, the world of the forefather Adam,
Here is young Columbus land!
And you'll make floating runs
To those ancient and new places,
Where other stars shine in the sky,
Where the light shines from the constellation of the Cross...
Take, dear friend, your lyre, your palette, your luxurious language, like these heavens, the language of the gods, with which only one can speak about the local nature, and hurry here, - and I blame myself for my powerlessness and remain silent!
March 1853. Atlantic Ocean
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The frigate "Pallada" - a frigate of the Russian navy, was laid down at the Okhtensky Admiralty in St. Petersburg on November 2, 1831, launched on September 1, 1832. The frigate was built on the personal instructions of Nicholas I and was originally intended for foreign visits of members of the imperial family. In 1852-1855, the frigate "Pallada" under the command of Captain I. S. Unkovsky sailed from Kronstadt through the Atlantic, Indian, and Pacific oceans to the shores of Japan with a diplomatic mission of Vice Admiral E. V. Putyatin. The writer I. A. Goncharov took part in this voyage.
Pallas (ancient Greek) - in ancient Greek mythology - Athena's foster sister, daughter of Triton, granddaughter of the Titan Ocean, accidentally killed by Athena as a child. According to one legend, her name served as the source of the epithet Pallas Athena. According to other interpretations, the epithet is from the expression pallein to dori (“throw a spear”) or from the island of Pallene; or from the beating (pallein) of the heart of the elder Dionysus, which she stole. The name Pallas is also used to designate the goddess Athena. The Phaeacians had the Grove of Pallas. From the name of Pallas comes the word “palladium” (a wooden image of the goddess that had miraculous effects). The city that owned palladium was considered under the patronage of the goddess. There was a legend about the palladium kept in Troy, which said that it fell from the sky. The descendants of Aeneas brought it to Rome, and since then the palladium has been kept in the Temple of Vesta.
*Pheacians (ancient Greek) - a people in ancient Greek mythology who lived on the island of Scheria (ancient Greek, associated with modern Corfu). The Phaeacians are mentioned in Homer's Odyssey. They were considered one of the blessed peoples, close to the gods, like the Hyperboreans, Ethiopians, and lotophages.
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Ivan Aleksandrovich Goncharov (June 6 (18), 1812, Simbirsk, Russian Empire - September 15 (27), 1891, St. Petersburg, Russian Empire) - Russian writer and literary critic. Corresponding member of the St. Petersburg Academy of Sciences in the category of Russian language and literature (1860), actual state councilor.
How does Pechorin characterize his attitude towards the “singing song” girl?
Read the fragment of the work below and complete tasks B1-B7; C1, C2.
Strange creature! There were no signs of madness on her face; on the contrary, her eyes focused on me with lively insight, and these eyes seemed to be endowed with some kind of magnetic power, and every time they seemed to be waiting for a question. But as soon as I started talking, she ran away, smiling insidiously.
Decidedly, I have never seen such a woman. She was far from beautiful, but I also have my own prejudices about beauty. There was a lot of breed in her... breed in women, as in horses, is a great thing; this discovery belongs to Young France. She, that is, the breed, and not Young France, is mostly exposed in her gait, in her arms and legs; especially the nose means a lot. A correct nose in Russia is less common than a small leg. My songbird seemed no more than eighteen years old. The extraordinary flexibility of her figure, the special, only characteristic tilt of her head, her long brown hair, the kind of golden tint of her slightly tanned skin on her neck and shoulders, and especially her correct nose - all this was charming for me. Although in her indirect glances I read something wild and suspicious, although there was something vague in her smile, such is the power of prejudice: the right nose drove me crazy; I imagined that I had found Goethe’s Mignon, this bizarre creation of his German imagination - and indeed, there were many similarities between them: the same rapid transitions from the greatest anxiety to complete immobility, the same mysterious speeches, the same jumps, strange songs...
In the evening, stopping her at the door, I started the following conversation with her: “Tell me, beauty,” I asked, “what were you doing on the roof today?” - “And I looked where the wind was blowing.” - “Why do you need it?” - “Where the wind comes from, happiness comes from there.” - “Well, did you invite happiness with a song?” - “Where he sings, he is happy.” - “How can you unequally drink your grief?” - "Well? where it won’t be better, it will be worse, and from bad to good again it’s not far.” “Who taught you this song?” - “Nobody learned; If I take it into my head, I’ll sing: whoever needs to hear will hear, but whoever shouldn’t listen will not understand.” - “What’s your name, my songbird?” - “He who baptized knows.” - “Who baptized?” - “Why do I know.” - “What a secretive one! but I learned something about you.” (She didn’t change her face, didn’t move her lips, as if it wasn’t about her). “I found out that you went to the shore last night.” And then I very importantly told her everything I had seen, thinking to embarrass her - not at all! She laughed at the top of her lungs: “You’ve seen a lot, but you know little, and what you know, keep it under lock and key.”
M. Yu. Lermontov “Hero of Our Time”
Explanation.
Pechorin appears before us as a person capable of discerning and appreciating the real behind the external or feigned. He is unusually observant, sees the girl’s unusualness, her inner “breed”, and is able to be carried away by her distinctive nature, unlike others.